 There is an inherent promise of greatness in every dystopian/apocalyptic/classist tale, mostly because those kinds of stories have a knack of having great multi-dimensional characters. The idea of world ending paradigm brings out the true character of any person, making it an interesting thing to watch. High-Rise tries to create a deeply stylized commentary of a dystopian scenario within a purely classist environment. But it failed to rise to the occasion...
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